Top 72 Quotes by Adrian Tomine

About Adrian Tomine

These are some quotes by American author Adrian Tomine Cartoonist, who was born on May 31, 1974.

I started my career so early and developed in print for better or for worse, so I think there's a sense some of my earliest readers are kind of copilots on this voyage with me.

I started my career so early and developed in print for better or for worse, so I think there's a sense some of my earliest readers are kind of copilots on this voyage with me.

Adrian Tomine

There's a lot of books that I've purchased simply because of the cover design. On the other hand, there's certain books that, even if I'm very curious about the content, I can't bring myself to buy if I really dislike the cover.

Adrian Tomine

I really love New York, but I have to say, the humidity during the summer is a nightmare for a cartoonist. Not only am I sweating in my studio, my bristol board is curling up, the drafting tape is peeling off the board, my Rapidograph pens bleed the minute I put them to paper... it's a disaster.

Adrian Tomine

What was a very private childhood hobby turned into a very a public, professional job, and I think that there's a lot of inhibition that can grow from that.

What was a very private childhood hobby turned into a very a public, professional job, and I think that there's a lot of inhibition that can grow from that.

Adrian Tomine

The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.

The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.

Adrian Tomine

I've always liked the tradition of publishing work serially in the comic-book 'pamphlet' format and then collecting that work in book form, so I've just stuck with it.

I've always liked the tradition of publishing work serially in the comic-book 'pamphlet' format and then collecting that work in book form, so I've just stuck with it.

Adrian Tomine

I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.

Adrian Tomine

The story entitled 'Good-Bye' is probably Tatsumi's most well-known work, and I think it's a good representation of many of Tatsumi's skills and stylistic tendencies.

The story entitled 'Good-Bye' is probably Tatsumi's most well-known work, and I think it's a good representation of many of Tatsumi's skills and stylistic tendencies.

Adrian Tomine

My early comics are really reflective of being kind of a befuddled, single loser in the Bay Area, and I think having kids has been by far the most profound impact on me as a person and as an artist.

My early comics are really reflective of being kind of a befuddled, single loser in the Bay Area, and I think having kids has been by far the most profound impact on me as a person and as an artist.

Adrian Tomine

I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.

I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.

Adrian Tomine

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