Amanda Hearst

Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.

Like the 'little emperors' of one-child China, too many Boomers were taught early that the world was made (or saved) for their comfort and enjoyment. They behaved accordingly, with a self-indulgence that was wholly rational, given their situation.