That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people. Bill Sienkiewicz elementlearnlose Change image and share on social
So, when the special effects are at the service of the story and draw you into it, that is really the magic. Bill Sienkiewicz draweffectmagic Change image and share on social
So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration. Bill Sienkiewicz cartoonenvelopeexaggeration Change image and share on social
People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to. Bill Sienkiewicz addclinicalfelt Change image and share on social
One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much. Bill Sienkiewicz creationdaydigital Change image and share on social
But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube. Bill Sienkiewicz assimilatecomicimage Change image and share on social
You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace. Bill Sienkiewicz createdesignestablish Change image and share on social
Nothing is really media driven or committee driven, so you can actually just produce something. Bill Sienkiewicz committeedrivemedium Change image and share on social
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra. Bill Sienkiewicz coverelektralot Change image and share on social
But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it. Bill Sienkiewicz approachawarecommercial Change image and share on social