Chris Ofili

When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.

I was the big, bossy older sister, full of enthusiasms, mad fantasies, desperate urges to be famous, and anxious to be a saint - a settled sort of saint, not one who might have to suffer or die for her faith.