It's much easier to read the stories that have a lot of dialogue; of course, they flow much more easily into speech. Deborah Eisenberg dialogueeasilyeasy Change image and share on social
I just want to be on my own branch twittering. Deborah Eisenberg branchtwitter Change image and share on social
I actually came to New York because it was very tolerant. You know, it seems preposterous, ludicrous thing to say in an interview, but I came for the anonymity particularly. Deborah Eisenberg anonymityinterviewludicrous Change image and share on social
I'm constantly trying to strip away layers of perceived thought or cliche. Deborah Eisenberg clicheconstantlylayer Change image and share on social
The world we live in has been and is being increasingly politicised so that our daily experience is more and more a matter of public policy. Deborah Eisenberg dailyexperienceincreasingly Change image and share on social
For me, most writing consists of siphoning out useless pre-story matter, cutting and cutting and cutting, what seems to be endless rewriting, and what is entailed in all that is patience, and waiting, and false starts, and dead ends, and really, in a way, nerve. Deborah Eisenberg consistcutdead share on social
The first story I wrote was called 'Days,' and I have very little affection for it. Deborah Eisenberg affectioncallday Change image and share on social
I'm not used to interviews. People don't generally interview waitresses. Deborah Eisenberg generallyinterviewpeople Change image and share on social
I would like to never ever think about any political issues. Deborah Eisenberg issuepolitical Change image and share on social
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater. Deborah Eisenberg desperationfinishfriend share on social
