Jess Row

My greatest fear about a world in which racial reassignment surgery becomes common is that it then becomes an expression of all kinds of class privilege. You have a truly dystopian society divided between the people who can afford to be racially altered and perfected and the ones who can't.

White writers in many cases choose not to populate their fiction with people of color. A lot of what I'm doing is trying to write against that, not about race but against the avoidance of race that's such a dominant model in white literary discourse.

Writers of color are given certain messages - explicit or implicit - about what they're allowed to write about or what will be successful if they write about it. And white writers are given another set of implicit and, sometimes, explicit messages.