Jill Greenberg

The still image continues to have a ton of strength. An image taken out of context from one fraction of a second to the next can tell a story, and if photographers are looking to tell a certain story, they can curate those slices of time to their advantage.

No one would bring their horse into a studio, because they don't want to bring their prized animals into an environment where they wouldn't be comfortable or where they might panic and hurt themselves.

Horses are prey animals, and most of the other animals that I've shot are predators. If you act mellow with predators, they know that they can kill you, so they are cool, but if you work with prey, they think that you're going to kill them at any moment.

My idea for 'BoneMan's Daughters' came from the loss of my own daughter when she left home to live with a monster at age 18. I wanted to throttle the man, but she was in love, so all I could do was hope, pray and cry.