Kate Christensen

I write in an old-school paneled study in the middle of a large farmhouse in rural Iowa. I have pine floors, a big cherry desk, and a small window. The room is cluttered with papers and books and gifts from friends.

The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.