Kumail Nanjiani

I've found that the common humanity of people is the most relatable thing, and even if your stories are very specific about a different place, if you have a relatable core of humanity, people will go along with it.

You can get stuck in the trap of reading your YouTube comments all the time. Sometimes I regret it. Not everyone is going to love you. And for some reason, stand-up has this thing where everyone thinks they can do it. So everyone thinks they're an expert.

The historical novelist has to consider what has actually happened, while the SF writer is dealing in possibilities, but they are both in the business of imagining a world unlike our own and yet connected to it.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.

I'm all in favor of people - myself included - going into the same territory if there's something that can be done with it. But if somebody says, 'Make a sequel to 'Heathers',' I feel like, no, someone should make a good movie that's a dark, satirical comedy that has that sensibility.