Malcolm Mclaren

I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.

I left school at 16 and my mother got me a job as a trainee wine taster. But one day I followed some girls into St Martin's art school and saw a voluptuous woman sitting on a stool being sketched. I decided to get myself fired.

Perhaps the more benign and poetic sense of God is established when we are babies in the moments of primal joy we might call 'the epiphanies of infancy' - the sensation of being blissfully held and feeling complete and at one with everything - yet having no words or no need to say it but instead to just assimilate the feeling.

What I look for when I see a piece of art for the first time is some kind of emotional, intellectual experience, that's a combination of both of those things and is informed by my knowledge and something new that I see the artist doing.