Michael King

When I was a child in the 1940s and early 1950s, my parents and grandparents spoke of Britain as home, and New Zealand had this strong sense of identity and coherence as being part of the commonwealth and a the identity of its people as being British.

The popular mythology of creative genius depends on beloved stereotypes of the artist in youth and old age: the misunderstood upstart who forces us to see the world afresh; and the revered sage who shows us depths of insight attainable only through a lifetime of hard-won experience.